Three and a half years in.
Still chasing the cut
that doesn't get scrolled past.

I started where most editors start: alone in front of a laptop, breaking apart videos I loved to figure out how they worked. That curiosity took me through a Bachelor of Science at NUST Islamabad, then into the world of post‑production where I learned that the difference between a good edit and a great one is almost always a single, brave decision in the timeline.

Today I sit in Brampton, Ontario, cutting at the intersection of cinematic craft and AI workflows — the two halves of post‑production that I think will define the next decade.